A rudimentary search about the Ajmal Kasab case would have revealed that the public prosecutor, Ujwal Nikkam, cooked up stories like the one above, to influence public perception. One example of how ill-researched the film is: in a dialogue Lucky is talking about how inefficient the judicial system is, and says that the Indian government spent Rs 100 crore towards Ajmal Kasab, the terrorist involved in the 26/11 attack, while he was in prison. This is the best satire of the film itself, where the film takes the liberty of being “commercial” and does the same thing. She is further made to work under a senior lawyer for a brief period as part of the punishment. Her monologues and the nuisance she creates in the court gets her reprimanded by the judge, who punishes her to follow court proceedings and learn about the judicial system. But she does not realise that a courtroom in reality is not as portrayed in cinema or television. As a method actor, the preparation she underwent to play the role of an advocate in a television soap gives her this confidence. Though the story is overly simplistic, a commercial film mandates a female actor, so we have Raashii Khanna playing the role of Jhansi, a television actor, who gets terminated from her job because of her unreasonable remuneration. Whether the dishonest son fights for his father’s cause, or sides with the corrupt villain forms the rest of the story.

Vivek is the reason Surya Narayana steps down as a judge, unable to prosecute him in the sexual harassment case. Lucky’s client Vivek and his father Surya Narayana have a history. Vivek is an evil businessman who has established an empire through his criminal activity.

Lucky’s reputation as a powerful lawyer capable of winning the toughest cases–very convenient to the plot–leads him to Vivek (played by Rao Ramesh). However, he is a crook who believes that his father’s honesty and self righteous actions have pushed them into poverty and misery. His son Lucky, played by Gopichand, pretends to follow in his father’s footsteps of being ideal, ethical and working for justice. A guilt-ridden Surya Narayana resigns from the profession after delivering a verdict against a sexual harassment victim as the case lacks substantial evidence. The film begins with Sathyaraj as Surya Narayana, an honest judge at a Sessions court. Pakka Commercial is an unoriginal revenge story, with a small change in its plot.

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